Wednesday, 26 February 2014
Character Development 'Francis Begbie' Narrative Illustration
Here a few drawings from my character development for ' Francis Begbie '
When creating my initial character Mark Renton, I came up with a style and template for my characters that can be tweaked and adapted to suit the individuals.. but makes it much easier to come up with ideas and also guarantees the style of the characters flows well.
Now I have the initial base for my character 'Begbie' I can start to work into his features and characteristics.. also experimenting with colour and media types.
Trainspotting Cover idea (Narrative Illustration)
Still in progress.....
I have had an idea for the cover of the book pretty much since we started this unit.
I want to show a semi-accurate display of the vascular system in the forearm, expressing the damage done to the veins from heroin abuse.
I made a point of my piece NOT looking like an anatomical drawing as this would not fit with the style I will show throughout the rest of my work.
I also don't want the piece to have any kind of "shock horror erughh look at those scabs" quality.
I want my viewers to notice the wounded veins but not be distressed by them, representative of the outlook of the characters taking heroin...They are aware of the damage they are doing to their bodies, but are having too much of a 'good time' to really care.
So Ill try to keep a composition thats fun, and nice to look at.. whilst also going into slightly crude detail on the more sensitive parts of the piece (the veins).
Below are the processes and steps I have taken so far in tackling this obstacle...
I have had an idea for the cover of the book pretty much since we started this unit.
I want to show a semi-accurate display of the vascular system in the forearm, expressing the damage done to the veins from heroin abuse.
I made a point of my piece NOT looking like an anatomical drawing as this would not fit with the style I will show throughout the rest of my work.
I also don't want the piece to have any kind of "shock horror erughh look at those scabs" quality.
I want my viewers to notice the wounded veins but not be distressed by them, representative of the outlook of the characters taking heroin...They are aware of the damage they are doing to their bodies, but are having too much of a 'good time' to really care.
So Ill try to keep a composition thats fun, and nice to look at.. whilst also going into slightly crude detail on the more sensitive parts of the piece (the veins).
Below are the processes and steps I have taken so far in tackling this obstacle...
First Image Crit
My first Image for the Narrative Illustration brief.
This image, or a very similar image will be used for the front cover ( wrap around).
Im going to keep experimenting with this image until im totally happy with it.
Wednesday, 19 February 2014
Alex Pardee ( Narrative Illustration )
Alex Pardee struggled to get any work as an artist by sending portfolios and attending interviews, so he went down a different route to get work. He posted his artwork on every blog and social networking site there is until someone noticed his work and things started to pick up for him.
I was shown this artist by a friend and instantly loved his work.
His use of vibrant shocking colours and messy line work blended with powerful sometimes sickly and crude images make for a great collection of work.
Alex uses loud colours and mixed texture lines and achieves a great feeling about his pieces. An attitude I want my work for the Narrative Illustration unit to express.
I was shown this artist by a friend and instantly loved his work.
His use of vibrant shocking colours and messy line work blended with powerful sometimes sickly and crude images make for a great collection of work.
Alex uses loud colours and mixed texture lines and achieves a great feeling about his pieces. An attitude I want my work for the Narrative Illustration unit to express.
Marcos Chin ( Narrative Illustration )
Marcos Chin has recently done a lot of illustration for independent publishing collective Black Hill Press. It was a collaboration between Chin and Kevin Staniec from BHP on a series of book covers for one of there series of books.
I was once again impressed by Marcos's use of line, colour and texture within his pieces. His coloured line looks great along side a mixture of varied textures and colours.
I have and will continue to take inspiration from him when doing my narrative illustration brief.
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